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results 21-40 of 50 item(s)  page 2 of 3 : ( <<  1  2  3  >> ) :: previous : next
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21. [Bookplate for John Charles Alison Heriot] [Bookplate for John Charles Alison Heriot] This bookplate's design features an escutcheon, argent (silver), charged with three roses. Above the escutcheon is an esquire helmet charged with a dexter hand holding a wreath. Decorative floral surrounds the escutcheon with a banner containing bookplate motto.

22. [Bookplate for James Maitland Hunt] [Bookplate for James Maitland Hunt] In black ink, this bookplate contains an escutcheon, argent (silver), charged with two dogs courant, and a chief, argent, with fox cabossed, between two hunting horns. Above, a helmet with mantling, and a crest of a lion's head erased, gorged. All set within a floral architectural border.

23. [Bookplate for James Bronn] [Bookplate for James Bronn] This bookplate consists of text encircled by floral vines.

24. [Bookplate for Ian Waldie by Alexander Scott Carter] [Bookplate for Ian Waldie by Alexander Scott Carter] In black ink on white paper, a sailboat at sea with a fish depicted in the waves below. Three seagulls are flying around the boat. A wide, bold floral border surrounds the image of the ship, with a few books and a lyre above it.

25. [Bookplate for Henry Forbes Angus by Jack Macdonald] [Bookplate for Henry Forbes Angus by Jack Macdonald] An art nouveau, pictorial bookplate using black ink on ivory paper. In the background is a sun with four series of rays alternating black and white. In front of the sun is a left hand holding a quarter-bound book with a floral statue on the cover (consisting of a circle of leaves encircling three white flowers with black centres, which are on top of a trunk). At both the dexter and sinister corners are black squares ; in the dexter square are the initials J / M.

26. [Bookplate for Henry Flitcroft] [Bookplate for Henry Flitcroft] In black ink, this chippendale-style bookplate consists of an asymmetrical escutcheon, or (gold), containing two chevronels, gules (red), each with the appearance of a label. The top chevronel is an elevated label, while the base chevronel is an inverted label. The label is a heraldic symbol representing the first son. The escutcheon also contains two escalopes over one fleur-de-lis. In typical chippendale fashion, the escutcheon is surrounded by elaborate floral mantling. Below the escutcheon is a banner containing the originator's name and place of origin.

27. [Bookplate for Heinrich Teuscher by K. Kleindienst] [Bookplate for Heinrich Teuscher by K. Kleindienst] In brown ink on cream coloured paper with visible chain and laid lines, a plane is pictured above an image of a building, all of which is surrounded by a floral border, architectural features, and a gardener with a bag.

28. [Bookplate for Harry E. Jones] [Bookplate for Harry E. Jones] Shiny texturized black ink is raised off the white paper. An elaborate border surrounds the central image. The border has two thin black lines on the outside and then has a series of repeating leafy floral shapes. The floral design is quite pointed and recurs in square sections all around the border. At each corner the design points out towards the corner. The inside of the border is surrounded by a thick black line. At the top of the border, an unfurled banner that is wider than the border sites atop of it. Text is printed in capitalized, block serif font. Below the ribbon, within the borders, is a picture of two monks looking at a large book with text and illustrations. One monk is standing in shadow, his back illuminated by the sunlight streaming in from a window outside the frame on the right side of the bookplate. At the forefront is a seated monk, also with his back to the sun, who is holding the book open while the other monk points at a section. The monk is sitting in a wooden chair with small cutout designs on the back. The table is also wooden and is covered with other books and a feather quill in an inkwell. In front of the desk, a large book with a decorative cover rests against the table leg. To the left of the book is a plain vase. At the base of the image, atop the lower portion of the border, is another ribbon featuring text printed in black, sentence case, serif font.

29. [Bookplate for Glazebrook] [Bookplate for Glazebrook] Black ink on cream paper. Design has some heraldic features. At the top of the bookplate is a banner featuring black, serif, capitalized font. The banner sits atop a stylized castle with multiple towers and a circular wall. Behind the castle to the left and right extend wing-like features. In front of the castle is a shield argent with sable dots charged with a sable lion passant. Shield has a sable chief charged with three argent fleurs-des-lis. Armorial helm with mantling is topped with a sable demi-lion rampant wearing a crown atop a crest-wreath. The bottom of the bookplate features a rectangle designed to look like stylized wooden panels. It features large, capitalized, bold black serif font. The words are separated with floral decorations, each of a varying design. The first flower is found with six more pointed petals, a black centre, and two leaves. The second flower is smaller and rounder, but of similar design to the previous one also with two leaves. The last floral decoration looks like a maple leaf with a simple stem.

30. [Bookplate for Girls' Reading Room Lending Library] [Bookplate for Girls’ Reading Room Lending Library] Black ink on orange paper. Border consists of thin black lines with small, round floral decorations. Inside the border, there are several lines of text. The first is in small, bold, black, serif font. The next line is in large, black, capitalized serf font with decorative first letters for reach word. The next line of text has decorative arrows on either side and is printed in small, black, capitalized sans serif font. The next line is in slightly larger black, capitalized, serif font. Underneath is small, italicized thin black serif font with a dotted line for a handwritten number. There is jagged line separating the above font from a short description of the lending terms, printed in black times new roman font.

31. [Bookplate for Gerald E. Hart by Edwin Cox & Co.] [Bookplate for Gerald E. Hart by Edwin Cox & Co.] Multicoloured ink on cream paper. Leaves with three pointed leaves adorn the corner of a brick pattern background. The leaves and brick are a pale green. There is an elaborate image printed on top of the pale green pattern. The bricks form an arch shape in the top centre to surround an elaborate multicoloured, painted arch. The arch is brown, gold, and black with ‘X’ decorations and borders. The arch surrounds a multicolour stained glass window, at the forefront of which sits a monk writing in a book. The stained glass window features a central circular decoration with three red circular borders surrounding three yellow circles, in the center of which are yellow flowers with three petals and green accents. In the outer spaces between the circles are rounded triangular lined insertions. At the very center of the three circles is a three ringed circle. To the bottom left and right of the circle decoration are more teardrop shaped sections with tapered bottoms. They each features yellow flowers with stems. Below the right floral decoration are two more similarly shaped sections with a swirling ribbon in each atop a blue crosshatch background. The arch connects to a Romanesque pillar on either side. The arch connects to an elaborately decorated bench, which has a golden floral motif. A bearded monk sits on the bench in floor-length yellow robes. The monk faces the right, where there is a desk. The desk is decorated on the side with ‘X’ decorations. Atop the desk is an open book that the monk is writing on. Below the desk is a decorative bird with a long, curved neck and floral elements extending from its back. The bird is accented with gold. To the right of the bird, partly reaching up to the top of the desk, are two rolled up pieces of paper. The floor consists of two thin platforms with green accents. A smaller rectangle is below with a gold crosshatch pattern. Text in the style of medieval manuscripts is printed atop. The first letter of each word is more stylized and in red font ; the rest of the text is blue. A thin ledge extends from the bottom of that rectangle. It tapers down to a more narrow line with two small pointed feet at the left and right sides. In that small section is a repeating geometric pattern in gold on a brown background. Below the entire image is small, red, capitalized, sans-serif font.

32. [Bookplate for George Grote] [Bookplate for George Grote] This bookplate features a meander patterned oval frame with an escutcheon divided per pale, or (gold) and argent (silver) and vert (green), charged with three trees. Above the frame is a single tree and below is a banner containing the owner's name along with many floral elements.

33. [Bookplate for Ferdinand I Czar of Bulgaria] [Bookplate for Ferdinand I Czar of Bulgaria] In black ink, this complex bookplate contains an escutcheon divided quarterly ; the first and fourth quadrants contain a lion, salient and crowned (it is unclear what colour these quadrants would be due to the printing process) ; the second quadrant, argent (silver) contains two pallets, likely sable (black), and a sable chief charged with two crowns, argent, possibly signifying eastern or celestial crowns ; and the third quadrant, argent, contains two manche facing one another, with arms and hands emerging, together holding a crown. At the fess point is an inescutcheon, which bears the coat of arms of Saxony ; barry of ten pieces, or (gold) and sable, with a garter (vert), floral invection on sinister side. The escutcheon is crested by a royal crown framed by a circular halo. The escutcheon is supported by two lions, wearing royal crowns, each also framed by a circular halo. From around the waist of each lion descends a collar which meets at the nombril point below the escutcheon ; from this point hangs the Grand Cross Of The Order Of Saint Cyril and Saint Methodius. At either side of the order is a banner containing the originator's designation. Above the crest and supporters are two sets of fleur-de-lis, two over one, signifying the House of Bourbon ; and an additional banner.

34. [Bookplate for Eva Remington] [Bookplate for Eva Remington] The bookplate contains a floral frame surrounding a written statement above a pair of wreaths framing an heraldric shield.

35. [Bookplate for Emmanuel Church Sunday School] [Bookplate for Emmanuel Church Sunday School] Black ink on cream paper. Floral border surrounds text. Includes one hand-written identification number and rubber-stamped date, both in black ink. A light “X” is drawn across the plate in pencil.

36. [Bookplate for Eliza Ann Taylor and Michael B. Kunze] [Bookplate for Eliza Ann Taylor and Michael B. Kunze] Colour ink on white paper. Gold outer border. Inner border is floral pattern on pink background. Text box at centre right.

37. [Bookplate for Edmund Maskelyne] [Bookplate for Edmund Maskelyne] In black ink, this chippendale-style bookplate consists of an escutcheon, sable (black), charged with a fess, or (gold) and engrailed, and three escallopes, two over one. The escutcheon is crested by a wreath and a demi-lion, holding an escallope between its two paws. The originator's name is framed within the chippendale floral decoration below the escutcheon.

38. [Bookplate for Dunbar Browne] [Bookplate for Dunbar Browne] A floral, somewhat art nouveau style border surrounding the text.

39. [Bookplate for Dunbar Browne Jr.] [Bookplate for Dunbar Browne Jr.] A floral, somewhat art nouveau style border surrounding the text.

40. [Bookplate for Dorothy Maclaren Hepton by William Walker Alexander] [Bookplate for Dorothy Maclaren Hepton by William Walker Alexander] Brown ink on cream paper. A plain border with a thin brown outline on the outside and thick brown outline on the inside. The image in the center of the bookplate is surrounded by a decorative background. The background has brown dots overlaid with thin white leaves on a stem. The stems curl around the left and right sides of the image. The image in the center is surrounded by a border comprised of three petaled leaves. At the top, bottom, left, and right of the border are two crossed strips covering the leaves. A dark inner border separates the decorative leaves from the center image. The image itself depicts two women sitting in an ancient Grecian scene. There is a building with arches in the left background. Next to the building, right behind the women is a large, shaded column. The foregrounded woman is sitting on a platform. Behind her is a small bowl of flowers. The same flowers decorate her dark hair in a floral crown. She is wearing a flowing white dress with a jewelry band around her right arm, which is holding onto her knees. At her feet is a lyre perched against another ledge. Behind the lyre is a dark, three-legged vessel with smoke pouring from it. There are some bushes behind the vessel and a plain horizon with a dark landscape and a pale sky. To the left of the vessel is a woman either standing or on her knees ; her legs are blocked from view by the sitting woman. The woman is playing a wind instrument, potentially an aulos. Her hair is in a half bun and half down. The ribbons in her hair are also flowing behind her head. Curling ribbons extend from below the image’s bottom border. A thicker ribbon rolls out below the ribbon. The bookplate owner’s name is printed in capitalized, serif font. Each word in the owner’s name is printed on its own line, with each line becoming increasingly indented. Two daisy flowers on stems are printed to the left of the last word in the owner’s name.
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